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RelizMAN ®

11

Post 05-Oct-2015 00:30

[Quote]

Mamadou Diabaté / Heritage
Жанр: African Classical, Griot Tradition, World Fusion, Kora
Носитель: CD
Страна-производитель диска (релиза): EU
Год издания: 2006
Издатель (лейбл): World Village
Страна исполнителя (группы): Mali
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 00:57:58
Источник (релизер): вата (благодарности geeksauce)
Наличие сканов в содержимом раздачи: front+back
Треклист:
01 Sara 5:10
02 Joukouya (Traditional) 5:24
03 Foulaya (Traditional) 6:15
04 African Orphans 5:27
05 Salimou (Traditional) 4:56
06 Fali (Traditional) 3:54
07 Djiribah (Traditional) 5:26
08 Behni Djayemoko (Traditional) 4:25
09 Gansana (Traditional) 4:23
10 Sandra 4:22
11 Segou Blues 4:21
12 Yaribassa (Traditional) 3:55
Доп. информация: http://www.mamadoukora.com/

Лог создания рипа

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Содержание индексной карты (.CUE)

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Об исполнителе | About Artist (ru)

Мамаду Диабате происходит из древнего рода гриотов (или как их еще называют - джели), музыкантов-сказителей королевства Манде. Он родился в 1975 году в знатной музыкальной семье Диабате из малийского города Кита, который известен как центр культуры и искусства народа мандинго. За свой талант он получил признание уже в юном возрасте. Молодого музыканта во многом вдохновил его отец - Джелимори Диабате (Djelimori Diabate), который играл на коре (африканской 21-струнной арфе) в Национальном инструментальном ансамбле Мали. В возрасте четырех лет отец Мамаду перебрался в Бамако, где базировался ансамбль. Там мальчику стал помогать и оказывать поддержку двоюродный брат – Тумани Диабате (Toumani Diabate), бывший уже на то время известным исполнителем на коре.
Когда пришло время возвращаться в Киту, Мамаду уже знал, что его судьба – это кора. Отец научил его настраивать инструмент, и с этих пор мальчик смотрел, слушал и полностью посвящал себя упражнениям на коре. Доходило до того, что мама начинала беспокоиться, что Мамаду слишком мало времени уделяет школе - она отобрала инструмент, но это лишь уменьшило его интерес к учебе. А для того, чтобы иметь возможность продолжать, мальчик сделал кору самостоятельно.
Выйдя из школы, Мамаду начал играть на коре для местных джели и путешествовать по окрестностям. Он выступал на церемониях, на которых трудились современные джели. В основном это были свадьбы и крестины. В возрасте 15 лет Мамаду получил первый приз за игру на коре на региональном фестивале и стал кем-то вроде местной знаменитости. На следующий год он отправился в Бамако, где под опекой своего известного двоюродного брата, попал в среду користов. Мамаду аккомпанировал сказителям на праздновавшихся в округе свадьбах и крестинах, а также развлекал сильных мира сего в шикарной столичной гостинице «Амитье». Тумани дал своему двоюродному брату прозвище «джелика джан» (djelika djan), что означает «высокий джели» - Мамаду действительно чрезвычайно развит физически.
В 1996 году Мамаду выпал шанс съездить в США с группой музыкантов мандинго и делегацией официальных лиц. После этой поездки Мамаду принимает решение продолжить свою творческую деятельность в США. Мамаду поселяется в Нью-Йорке. Он часто получает приглашения выступить с заезжими малийскими звездами, такими как Ами Коита (Ami Koita), Тата Бамбо Куйяте (Tata Bambo Kouyaté) и Бабани Коне (Babani Koné). Он выступал в ООН, в Смитсоновском институте (Вашингтон). Кроме того, Мамаду Диабате сотрудничает с такими американскими джазовыми музыкантами, как Рэнди Уэстон, Дональд Берд и с Гаем Дэвисом, играющим блюз.
На его первом альбоме «Tunga» Мамаду аккомпанируют гвинеец Фаморо Диабате (Famoro Diabate) на балафоне, малиец Фусейни Куйяте (Fuseini Kouyate) на нгони, гвинеец Шейк Барри (Cheick Barry) на электрической бас-гитаре и Айра Коулман (Ira Coleman) на акустической бас-гитаре.В двух композициях звучит голос Абдулайе Диабате (Abdoulayé Diabate), который является, возможно, лучшим исполнителем-джели из тех, которые живут сейчас в США.
Мамаду говорит, что отец посоветовал ему однажды, слушая всех лучших користов, учиться каждого из них. Кора пришла в Мали из Гамбии, но именно малийская традиция игры всегда заслуживала особое внимание за следование классике, при постоянном развитии искусства игры и привнесении в нее новых элементов. Стиль Мамаду выработался за многие годы прослушивания користов и других музыкантов из разных стран. Хотя его творчество и основано на традиции кейта (keita), Мамаду всегда старается привнести в свою музыку что-то свое, нечто свежее и современное, создавая мостки между прошлым и будущим.
«Tunga» означает «приключение». Этот головокружительный дебютный альбом путешественника по миру и талантливого користа показал, насколько Мамаду Диабате запомнил слова отца. Он привнес в малийскую музыку ручеек новых элементов, таких как американский блюз, музыка бамбара и быстрый, гамбийский столь игры на коре. «Tunga» поистине является приключением для сердца и ушей, исходящим от одной из восходящих звезд Мали.
http://ethnic.ru/

Об исполнителе | About Artist (en)

Mamadou Diabaté (born 1975) is a kora player. He began playing quite early in his life, became known as a musician in the area of Mali in which he lived, and has since moved to the United States, recording five albums. Diabaté was born in Kita, Mali, a town relatively near to Mali's capital of Bamako, known for its artistic and cultural prominence within the Manding community of West Africa. He was born into a family of griots, with his father, Djelimory n'fa Diabaté, also a kora musician and a member of the Instrumental Ensemble of Mali. He moved to Bamako at four years old with his father, but returned to his birthplace to attend school. He began playing the kora, a 21-string harp, at a very young age, and became so enthralled with the instrument that his mother eventually forbade him to play it in order to do academic work, though he quickly began attempts to make one himself. After he had left school to further pursue the instrument, Diabaté began to perform at various public events in his country. He had won several music competitions by the time he was 15, and was becoming somewhat of a regional celebrity by that time as well, having performed for several important personages.
In 1996, he went on to travel with a group of the Instrumental Ensemble of Mali, and eventually settled in the United States. Since his move to the US, Diabaté has performed with several musicians from the country, including jazz players Randy Weston, Guy Davis, and Donald Byrd, as well as with a griot ensemble composed of musicians from Mali and the United States.
His 2000 debut album Tunga mixed West African music with blues and jazz influences. A review in CMJ New Music Report commented on Diabate's "faster, nimbler style of kora playing". The album featured bassists Cheick Barry and Ira Coleman. In 2005, Diabaté was nominated for a Grammy Award in the Traditional World Music Album category for Behmanka, but lost to the collaboration between his cousin Toumani Diabate and Ali Farka Toure. The album was described as a "dazzling duet for one" by The Washington Post, while Philip Van Vleck, reviewing it for Billboard, described it as "a feat of remarkable virtuosity".
His third album, Heritage, was totally instrumental, again showing jazz influences. His group at this time included Djkorya Mory Kante (guitar), Noah Barrett (bass), Baye Kouyati (callabash, talking drum), and Balia Kouyate (balafon). A Billboard review by Philip Van Vleck described it as "a gorgeous album loaded with music that evokes Mali's soul".
His fourth his solo album Douga Mansa, a tribute his father and grandfather, won the 2010 Grammy for Best Traditional World Music Album. Also in 2010, he was part of the world music trio Djan Djan which included Bobby Singh, an Australian tabla player, and Jeff Lang, an Australian slide guitarist.
His fifth solo album, Courage, was recorded in Mali and released in 2011. A review in the Seattle Post-Intelligencer described it as "a truly remarkable disc of music and deserves to be considered equal to anything written or recorded by any composer or symphony orchestra in the rest of the world".
Discography
Tunga (2000), Alula
Behmanka (June 14, 2005), World Village Music
Heritage (November 14, 2006), World Village Music
Douga Mansa (2008), World Music Village
Courage (2011), World Village Music
Griot Classique (2014)

http://en.wikipedia.org/wiki/Mamadou_Diabat%C3%A9

Об альбоме | About Album (en)

The journey of one of our most important African instrumentalists continues. Mamadou Diabaté was born to the traditional music of the Mande people in Kita, Mali, in 1975. He is the son of Djelimory Nfa Diabaté, who played kora in the prestigious Instrumental Ensemble of Mali. The kora, a 21-string harp that goes back a thousand years or more, has always been associated with the tradition of the griotor jeli in Mamadous native Bambaraan entertainer and praise historian whose principle role in society is to remind people of history, its lessons, heroes, and villains. Mamadou honors that responsibility by naming his third CD Heritage, and also by filling it with music drawn from the august canon of the Mande jeli. At the same time, the performances here, and Mamadous career in general, also highlight the amazing flexibility and adaptability of this courtly music tradition.
Mamadou is a musical adventurer who has collaborated broadly with jazz musicians from Donald Byrd to Roswell Rudd and Randy Weston, as well as popular figures from Afropop star Angelique Kidjo to blues mavericks Taj Mahal and Eric Bibb, and even the jam band Donna the Buffalo. His own work stays generally within the boundaries of tradition, and yet all of these experiences color his compositions, arrangements, and brilliant flights of improvisation. Mamadou possesses an enormous spirit, an open mind, a powerful pair of ears, and staggering technique on his instrument. He is able to bridge divergent times, places, and traditions in music of transcendent beauty.
Heritage is part of a progression in Mamadous recorded work. His debut Tunga (Alula, 2000) came four years after he moved from Bamako, Mali, to New York City. The title means adventure, and this wide ranging, collaborative work served as the calling card of a most adventurous musician. By 2003, when he recorded Behmanka (World Village), Mamadou had married and settled in Durham, North Carolina. Here, in the tradition of his famous cousin and mentor, Toumani Diabaté, Mamadou challenged himself to make a solo recording, one that would demonstrate his profound knowledge of tradition, his mastery of his instrument, and his personal innovations as a player. It is a tour de force, and it earned him a Grammy Award nomination in 2005.
As he received that honor, Mamadou was busy touring with his own instrumental group, a versatile quintet that includes Guinean guitarist Djikorya Mory Kante, balafonist Bala Kouyaté, Baye Kouyaté on calabash and talking drum, and on bass, American jazz musician Noah Jarrett. This is the group we hear on Heritage. In their fiery interactions and seamless chemistry, we discover the results of three years of constant performance. Mande music is almost always centered around a singer. So the decision to keep this work all instrumental and let the musicians do the talking is unusual. This music is not typically accompanied by calabash or talking drum, so the percussive aspect of the group is also innovative. But the deepest innovation comes in the compositions and arrangements themselves.
Mamadous allegiance to jeli tradition is abundantly obvious. At the same time, he says, Playing jazz has developed my technical skill and my improvisations. If I go too far, I lose the character of Mande music. But in jazz, I am free, and that has changed me. In Mali, I would not have these experiences. Living in United States has made me a better musician. The performances on this CD leave no doubt that this is true.
***
The Malian musician Mamadou Diabate has forged a reputation as a widely respected ambassador for the kora in the United States, the country where he has now made his home. On his third album, Heritage - a totally instrumental affair - Mamadou offers his take on traditional Mande music influenced by jazz.
It may seem something of a paradox that Mamadou, descended from an illustrious family of Malian griots (a caste whose primary role is to transmit their cultural history through song) prefers to let the instruments do the talking on his new album. No trace of a lyric anywhere on the twelve tracks on Heritage! The kora virtuoso and ardent defender of orally transmitted traditions has chosen to communicate through the written word instead, stuffing the album's accompanying booklet with valuable in-depth explanations about the featured tracks.
Despite being lesser known in Europe than many of his compatriots, Mamadou can pride himself on being one of the rare kora-players to have enjoyed a successful career in the United States, where he has lived for over a decade now. Following his debut album Tunga, Mamadou made his mark with Behmanka, a second album that earned him a nomination at the 2005 Grammy Awards for “best traditional world music album.” Interestingly enough, it was another Diabate - Mamadou's cousin, Toumani, who recorded a joint album with the late great Ali Farka Touré - who ended up walking off with the same award the following year. Mamadou cites Toumani, ten years his elder, as “a great source of inspiration to me.”
Born in 1975, Mamadou grew up between Bamako and his hometown of Kita, learning to master the 21 strings of the kora thanks to his musician father, a member of the Malian Instrumental Ensemble. But it was living in the States that he came to develop his own unique vision of Mande music, opening himself up to other influences. “It was jazz that developed my technique and my sense of improvisation (…)," Mamadou claims, "I'd never have had the same kind of experiences back in Mali. I think I've really become a better musician through living in the States."
The spirit of jazz certainly hovers over Heritage, an album featuring eight tracks from the traditional Mande repertoire that have been totally rearranged. These include Gansana and Joukouya, pieces that Mamadou used to play with his father back in his musical apprenticeship days. The album, recorded in just five days, is not just a finely-honed example of what a kora virtuoso - capable of delivering a breathtaking solo like Foulouya can do - but a superb collaborative effort from a quartet whose complicity shines through some impressively fluid and irresistible playing.
Mamadou Diabate Heritage (World Village/Harmonia Mundi) 2007
Bertrand Lavaine

http://www.rfimusique.com/musiqueen/articles/087/article_7867.asp

***
Mamadou Diabate tours with a quartet, while Heritage features a versatile quintet that includes balafonist Bala Kouyaté, Baye Kouyaté on calabash and talking drum, American jazz musician Noah Jarrett on bass, and special guest Guinean guitarist Djikorya Mory Kante. In their fiery interactions and seamless chemistry, we discover the results of three years of constant performance. Mande music is almost always centered around a singer, so the decision to keep this work all instrumental and let the musicians do the talking is unusual. This music is not typically accompanied by calabash or talking drum, so the percussive aspect of the group is also innovative. But the deepest innovation comes in the compositions and arrangements themselves.

Состав | Artists

Mamadou Diabate - Arranger, Composer, Kora
Balla Kouyate - Balafon
Baye Kouyate - Calabash, Talking Drum
Noah Jarrett - Bass (Acoustic)
Djikorya Mory Kante - Guitar
Мамаду Диабате является одним из величайших исполнителей на коре (африканской 21-струнной арфе). Мамаду происходит из древнего рода гриотов (или как их еще называют - джели), музыкантов-сказителей королевства Манде. Он родился в 1975 году в знатной музыкальной семье Диабате из малийского города Кита, который известен как центр культуры и искусства народа мандинго. За свой талант он получил признание уже в юном возрасте. Молодого музыканта во многом вдохновил его отец - Джелимори Диабате (Djelimori Diabate), который играл на коре в Национальном инструментальном ансамбле Мали. В возрасте четырех лет отец Мамаду перебрался в Бамако, где базировался ансамбль. Там мальчику стал помогать и оказывать поддержку двоюродный брат – Тумани Диабате (Toumani Diabate), бывший уже на то время известным исполнителем на коре. В 2010 году Мамаду Диабате стал лауреатом Грэмми за диск , как лучший альбом традиционной музыки (Best Traditional World Music Album).

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(African Classical, World Fusion, Kora, World Village) [CD] Mamadou Diabate (ft Balla Kouyate, Baye Kouyate, Noah Jarrett, Djikorya Mory Kante) - Heritage - 2006, FLAC (tracks+.cue), lossless скачать торрент бесплатно и без регистрации

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